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Event Features Panel Discussion Between Cast and Producers,

Moderated by Yellowstone’s Mo Brings Plenty


White Buffalo Voices of the West poster

Wyoming native Ian Munsick has never shied away from sharing the influence of his homeland and its people in his music. Known for his ability to transport people to the west by way of his sawing fiddle and coyote cries, Munsick is now giving his sophomore album White Buffalo a cinematography debut with its companion documentary White Buffalo: Voices of the West, premiering Wednesday, Dec. 6 during Wrangler National Finals Rodeo in Las Vegas.


The documentary expands on the album’s concept, with the white buffalo representing a sacred symbol for the plains tribes of Native America, its return signaling prosperity and rebirth. Delving into conversations with Pro Buckin’ Horse producer and entrepreneur from the Blackfoot Tribe, Dougie Hall; rancher, horse trainer and actor from the Crow Tribe, Stephen Yellowtail; and cowgirl from the Blackfeet Nation, Sammy Jo Bird; together with Munsick, they explore the modern-day relationship between cowboys, ranchers and Native American tribes, and how they often rely on each other to live off the land out west.


“Some of the best kept secrets are out there, thriving, where the prairie meets the mountains,” Munsick states. “I was lucky enough to be born and raised in the heart of cowboy country, mostly untouched by the outside world. It’s a culture where Cowboys and Native Americans are one in the same. I’ve always wanted to use my platform to help shed light on what’s been hidden for decades, so naturally Voices of the West was a great way to convey an important message, while artistically collaborating with a people who rarely get the opportunity to have their voices heard.”


Following the premiere, Yellowstone actor and enrolled member of the Lakota Nations Mo Brings Plenty will moderate a panel discussion between Munsick, Hall, Yellowtail and Bird, alongside director/cinematographer from the Tohono O’odham Nation Cam Mackey and producer Caroline Munsick.


“For centuries, our horse nation relatives carried my ancestors on their backs and continue to in these modern times. It can be said they are responsible for our existence today," says Brings Plenty. “American Indians, cowboys, ranching, and rodeo are deeply rooted in this country's history, culture, and the enduring spirit of the American West, and through Ian's lens, a historical story of growth, camaraderie, respect, humility, and the importance of creating allies with communities other than our own -- organically through our shared love of our four-legged relatives -- will appear for audiences of all ages.”

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Jeannie Seely

The interview was conducted by Alannah Moore and the photos © Lisa OConnor/AFF-USA.com


“Y’all come on in!”

These were the words I heard while walking up the front walkway to the home of the legendary Jeannie Seely. Words can’t fully describe what it’s like for a fan of country music to share the air with a legend such as Seely, but I am incredibly thankful for the time we were able to spend together.

Growing up in Pennsylvania, Seely knew at a very young age that she wanted to be a performer. She recalled her father making sure the car battery was charged so that they could listen to The Grand Ole Opry on the radio. “If the signal wasn’t coming in, he would drive up the hill to listen to The Grand Ole Opry”, Seely laughed.

It would be at the age of 27 that Seely would be invited to become a member of that very program. What would happen next would change the course of The Grand Ole Opry forever. Through hard work, persistence, and determination, Seely fought for female performers to be treated equally on The Opry stage. This included how they were allowed to dress, how they were introduced, and how pivotal of a role they could play on the show. It wasn’t until the early 90s that women were allowed to host the program, Seely being the first to do so.

This year marks Jeannie Seely’s 56th year as a Grand Ole Opry member. To celebrate Seely’s contributions to the Opry as well as the country music genre, Seely was presented with the Joe Talbot Award during her Opry performance on October 28th. She recalled being speechless (not a normal thing for her), and how genuinely surprised she was.

Perhaps for me, what really stood out in our conversation, is how important it is to Seely that The Opry always feels like a family. The magic of The Grand Ole Opry is how connected you feel to the artists who walk out on that stage, and Seely does her best to make sure her Opry family feels welcome and included. Her dedication to keeping that tradition alive is truly inspiring.

Jeannie Seely

When discussing current projects, Seely played a recording of her take on “Suffer Time”, a song originally recorded by her late friend, Dottie West. A release date for the recording has not yet been announced. She also mentioned talks of an additional, very special project regarding that same recording, with details still being finalized.

An advocate for everything she believes in, Jeannie Seely is an incredible example of what it means to work hard and dream big. Nicknamed “Miss Country Soul”, her unique voice and strong work ethic have led to an incredible career.

To sum up what I believe to be the heart and warmth of Jeannie Seely, I don’t know how to say it any better than the words I heard while walking as a stranger up her front walkway....

“Y’all come on in!”


Jeannie Seely











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The Oakridge Boys

GRAMMY® Award-winning and Country Music Hall of Fame members, The Oak Ridge Boys were honored by The Tennessee Department of Tourist Development with the unveiling of the “Tennessee Music Pathways” marker in Oak Ridge, Tennessee on Monday, November 20. William Lee Golden and Richard Sterban were in attendance representing The Oak Ridge Boys along with Tennessee Representative John Reagan, Oak Ridge Mayor, Warren Gooch, and family members of former Oak Ridge Boys’ Wally Fowler and Lon “Deacon” Freeman, both original members of The Oak Ridge Quartet. Oak Ridge Mayor, Warren Gooch also presented The Oak Ridge Boys with a key to the city and a proclamation honoring their contributions to the city.

“It was a very special day,” shares William Lee Golden. “Being part of this remarkable group is something I never take for granted. Our journey has been uniquely blessed and one that very few have had the opportunity to achieve. I am thankful to Duane Allen, Joe Bonsall, and Richard Sterban for their contributions to The Oak Ridge Boys, along with our band and co-workers. A special thank you to Gus Arrendale and Springer Mountain Farms for helping make this day possible!”

“I can’t think of anywhere I would rather have been than at the Grove Theater in Oak Ridge with the kind folks at The Tennessee Department of Tourist Development who worked so hard to design this marker,” expresses Richard Sterban. “The Oak Ridge Boys as a group goes back 80 years to the original members, Wally Fowler, Lon “Deacon” Freeman, Curly Kinsey, and Johnny New, and we have never forgotten them or their contributions. It has been a privilege to build on that.”

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